2 Paint It Gold is the second album released by Goto Maki. While the album peaked at number four, the album only sold half the amount of her first with 52,000 copies sold. The album included four singles which were released before the album and were all top ten hits.
Released: January 28, 2004
1. Uwasa no SEXY GUY (うわさのSEXY GUY; Rumored Sexy Guy)
2. Genshoku GAL Hade ni Yukube! (原色GAL 派手に行くべ！; Primary Color Gal, Be Flashy!)
3. LOVE. BELIEVE IT!
4. Daite yo! PLEASE GO ON (抱いてよ！ PLEASE GO ON)
5. Shiawase Desu ka (Goto version) (幸せですか？; Are You Happy?)
6. Namida no Hoshi (涙の星; Star of Tears)
7. Kuchizuke no Sono Ato (Goto version) (くちづけのその後; After a Kiss)
8. Mirai no Tobira (未来の扉; Future Door)
9. Himitsu (秘密; Secret)
10. Paint It Gold (ペイント イット ゴールド)
11. Scramble (スクランブル)
Uwasa no SEXY GUY opens in an explosive way and it is great. I don’t really know what to think of the music though. It is really fun and exciting, but it is a pop song with some rock and latin elements to it. Goto Maki also sounds great here and she sounds much more confident in herself compared to her first album. The song does drag on for a bit, but it is a strong opener. It’s no surprise why it was the album’s first single. Right after comes the album’s fourth single. Genshoku GAL Hade ni Yukube replaces the funkier elements for something more streamlined pop. It’s a very happy and bright pop song. Unfortunately, it’s not my cup of tea. The melody is a bit bouncy and annoying and how it is sung just does not do Goto any favours. There are some clever bits like the second half of the chorus. LOVE. BELIEVE IT! brings us a hard-hitting R&B/pop tune. I quite like how heavy the bass beat is even though the melody just glides over it. The chorus isn’t bad, although I don’t think it to be particularly catchy. Still, it’s better than the last song. I just wish Goto added a bit more emotion into her voice to really get the song to the next level. Daite yo! PLEASE GO ON is one of my favourite Goto Maki songs and it’s the best song on the album. It’s a fiery dance/pop tune and it fits perfectly with her piercing tone. The best thing about the song is that it keeps up the energy throughout and has a catchy melody to boot. There is also a funky rap that pops up around the end, which is a fun surprise. A great third single! Shiawase Desu ka (Goto Version) is the solo version of a song by the H!P shuffle group, Sexy 8. It’s a sexy midtempo R&B/pop tune and is actually quite catchy. I prefer the original because the different voices helped to create some contrast in the melody, which doesn’t quite work as well when it’s solo. Goto sounds good, but just her tied with the awkward H!P background vocals just doesn’t quite tie together as well. Namida no Hoshi is the first ballad and it’s a pretty sounding one that focuses on the piano. I want to like this song, but it’s a bit boring. The melody is nice, but I think it would be better if the music had a bit more energy to it. The second half of the song has some nice strings coming in, but I think some percussion would have been nice as well. This is definitely one of Goto’s strongest vocal performances on this album. Kuchizuke no Sono Ato (Goto Version) is the solo version of a light pop/rock song from Morning Musume’s third album. It don’t think it’s a particularly interesting song, but it does add some variety to the album and we hear a gentler side to Goto’s vocals. I do prefer the original a little bit more, but it’s just not a stand out song for me. Mirai no Tobira is the solo version of the crazy song from Morning Musume’s first album. This time, Goto did feature another H!P group, Melon Kinenbi. I’m pretty sure she sang all the important parts of the song though. It’s a decent tune and has a lot more energy in the music this time around, so it’s a bit more entertaining. I actually like this version much more than the original because the music is fuller and works nicely with Goto’s voice. Himitsu is another slower tune and I think it’s better than the last ballad. It has an R&B beat which is layered over by the guitar. It’s a nice combination. Unfortunately, the chorus is underwhelming. It just does not have a lot of energy and the melody just sort of goes on in a daze. Goto sounds bored throughout it as well. A bit disappointing. The title track, Paint It Gold, is the best album track on the album. We finally get another fast-paced dance tune and is really nicely crafted. I love the energy of the music with its disco elements and Goto sounds a lot more powerful here. The chorus isn’t the catchiest, but it’s still one of the more memorable melodies on the album. It’s a great tune. The album ends with the second single, Scramble. It’s a bright pop tune, but I think this one is much better pulled off. I really enjoy the music as it is explosive and works nicely with the melody. I do wish the chorus was a bit more impacting, but it’s still relatively catchy. I think Goto also sounds great. It’s not the strongest ending, but it is a decent song.
Overall: This album was way better than her first one. Obviously, there were a few weaker tunes on here, but there were much stronger songs on here as well. While a lot of the songs still had that “Hello!Project” quality to them, it wasn’t as obvious and Goto sounded more confident and mature. I do wish the album had better ballads though as that was where things were weakest.