Second Morning is the second album released by Morning Musume and the last to feature first generation member, Fukuda Asuka. The album proved to be more successful than their first due to the rising popularity of the group’s singles. All four of the singles were top five hits, with one peaking at number one. The album sold over 425,000 copies and peaked at #3.
Released: July 28, 1999
1. NIGHT OF TOKYO CITY
2. Manatsu no Kounen (真夏の光線 (Vacation Mix); A Ray of Light in Midsummer)
3. Memory Seishun no Hikari (Memory青春の光; Memory The Light of Youth)
4. Suki x5 (好きで×5; I Love You ×5)
5. Furusato (ふるさと; Hometown)
6. Daite HOLD ON ME! (N.Y. Mix) (抱いてHOLD ON ME!; Hold Me, Hold On Me!)
7. Papa ni Niteiru Kare (パパに似ている彼; He Who Looks Like Papa)
8. Senkou Hanabi (せんこう花火; Sparklers)
9. Koi no Shihatsu Ressha (Album Version) (恋の始発列車; Love’s First Train)
10. Otome no Shinrigaku (乙女の心理学; A Girl’s Psychology)
11. Never Forget (Large Vocal Mix)
12. Da Di Du De Do Da Di! (ダディドゥデドダディ！)
I wasn’t expecting to be blast into the album right away, but NIGHT OF TOKYO CITY is an exciting start. It’s a funky upbeat pop tune that opens with a barrage of synths and rapping. Once the song starts getting into the verses do things really start picking up though. The song has a more mature vibe to it and while I wish the chorus was a bit catchier, it’s a solid tune and easily encapsulates their sound at this time. I find the transition into Manatsu no Kounen (Vacation Mix) a little odd just because it is a summer-y pop tune that is very different from the last tune. I didn’t really like this song before, but it has grown on me a lot. I do find the melody to a bit dragged out and doesn’t equal the punch of the fuller instrumental. It’s still a surprisingly catchy song though and it isn’t a surprise that it was the album’s third single. I feel like Memory Seishun no Hikari should have been after the first song because it is darker. The album’s second single is a dark and seductive pop tune with some new jack swing and R&B influences. I love the underlying bass mixed with the piano and the girls’ harmonies easily make the song a gorgeous vocal display. The chorus is especially nice and the catchy melody ties nicely with these harmonies. This is also one of the last instances of Fukuda’s lead singing. I do like that Suki x5 tries to change things up as the jazzier vibe of the song really brings a switch that isn’t really heard by the group. Unfortunately, I just don’t find the melody to sit nicely with the music and it just awkwardly floats on top of the overpowering percussion. This is one of the weaker songs for me. Furusato is one of Morning Musume’s most well-known songs as it is the group’s first ballad single. It’s a really beautiful song that talks about living in a new city and the hardships of love and homesickness. My only problem with the song is that it is like an Abe Natsumi song. While I do like her and she has a nice voice, it would have been nice to get the other girls to sing as well to bring some contrast. I love the music though and the oldschool synth-line is a bit outdated sounding, but nostalgic. Daite HOLD ON ME! (N.Y. Mix) is the remix of the album’s first single, which just adds a faster dance beat underneath. It really helps the song keep up the energy and I think I like it more than the original. This song is easily the best one of the album. The chorus is more repetitive, but the hooks are really catchy and the contrast between the two parts really brings an urgency to the song. There is even a fun rap that comes in. All of this is on top of a pulsating beat and with an array of disco synths. I feel like this is where Manatsu no Kounen should have come in as Papa ni Niteiru Kare is an even brighter pop song. It has a funky guitar riff that carries throughout the song with a touch of brass here and there. I think the song isn’t bad, but the chorus is just a bit disappointing as the music is upbeat while the melody is darker. It’s an interesting difference, but it would have been better to really play up the music’s energy. Senkou Hanabi is a really nice change music wise as it has a pop/rock vibe to it. The guitar riff is really beautiful. Unfortunately, I find the singing parts to be a bit lackluster. The song is another instance of only Abe Natsumi singing and her voice just sounds weak throughout it. It would have been better to hear the other stronger vocalists get some parts to even out the weaker parts. Koi no Shihatsu Ressha (Album Version) was original released as the B-side from the album’s third single. It is a bit on the slower side of the things. The music sounds really outdated to me and it reminds me a lot of J-Pop from the 90’s. Unfortunately, the song itself is a bit forgettable as the melody isn’t that catchy. Otome no Shinrigaku is the album’s weird song with its beach-like vibe. I do like this old-school vibe to it and it does it in a way that doesn’t feel totally stuck in an era. I just wish the music was a little stronger as the chorus feels a bit weaker with how the vocals are edited. It’s a decent take and Yaguchi and Ichii do a good job taking the lead here. Never Forget (Large Vocal Mix) was originally released on the album’s second single as a graduation song for Fukuda Asuka. This song has a midtempo pop/rock sound going for it, which has been a bit of a theme with the last few tracks. I know the song is important, but I just don’t find the song that memorable. The chorus is nice, but it just needs a more powerful vocalist to get over the fullness of the music. Fukuda had great vocals, but they are a bit too sweet here. Da Di Du De Do Da Di! ends the album with something a bit more upbeat. It reminds me of 90’s music from female singer-songwriters in America as it has a stronger pop/rock vibe. Abe takes the lead here and she does a decent job. The song is pretty catchy, but the melody is a bit unpredictable. I’m not sure if I like it as much as I want to as it just doesn’t get stuck in my head and the song is just too long.
Overall: This album has some stellar singles and there are some of Morning Musume’s best singles on this, but I felt quite a few of the album tracks were just not that interesting. A lot of them were midtempo tunes that just didn’t have interesting melodies nor that strong of production. I feel like there was more inconsistency here compared to the group’s debut.