Don’t Stop is the second album released by Jolin Tsai. It continued the girl-next-door image that Jolin became known for. The album proved to be an even bigger success as it sold over 400,000 copies.
Released: April 26, 2000
1. Don’t Stop
2. Are You Happy? (你快樂嗎)
3. What Kind of Love? (什麼樣的愛)
4. You Gotta Know
5. Eternity (永恆)
6. Everything’s Gonna Be Alright (Hi) (嗨)
7. Words of Loneliness (孤單的人總說無所謂)
8. Floating (漂浮)
9. Love Song for You (唱這首歌)
10. Sugar Sugar
The album opens with Don’t Stop, which is a cover of S Club 7’s Bring It All Back. It does try to change things up because it adds a bit of guitar throughout the song to give it a pop/rock edge to it compared to the poppier original. It’s a catchy song and this version still retains that. I don’t think I’m in love with it because it just doesn’t push things to the next level, but Jolin does sound more confident than on her first album. Are You Happy? is the album’s main ballad single and it is the best song on here (and stronger than anything on her debut). First, the song has a great melody and it is memorable. It’s the type of song that is easy to sing along to. Also, Jolin’s voice sounds much stronger and she has better control over her voice. She still isn’t the strongest vocalist, but she does handle the ending note change much better at the end. What Kind of Love? is another ballad that is quite similar to the last song. I don’t think this one is as memorable, but it is still a nice tune. It’s a bit calmer and less passionate sounding, but the energy does pick up a little more later on. It’s not that bad, but it does come off a bit boring because Jolin’s voice is a bit monotone throughout. You Gotta Know comes in and it is an upbeat pop tune with some light rock elements. It sounds a bit like a cover, but I’m not sure. It really reminds me of songs from the mid-90’s, but not as catchy. The way the vocals are edited is a bit off and it just comes off dull and while the music has energy, but the melody just doesn’t hit that spot. Not bad, but just incredibly average. Eternity is yet another ballad. It starts off very similar to the last ballad with its gentle sound and gradual push. I must say that I like this song more than the last song because Jolin’s sweet vocals work really nicely with the music. Unfortunately, the song tries to step things up at the end and it just doesn’t work. It’s a bit of a mess vocally. Everything’s Gonna Be Alright (Hi) is a big change as we are given an upbeat reggae tune. The song isn’t terrible, but it is a nice change of pace and sound. I don’t think the hooks are as strong as I want them to be, but I like the vibe the music gives. The odd background vocals do ruin the song a bit though and I don’t quite like how Jolin’s voice is edited. Could be better to be honest. Words of Loneliness is a darker sounding ballad and the music nicely fits the music and lyrics. This one really reminds me of something from the mid-90’s in C-Pop, which is a nice change as the ballads always came off a bit more emotional at that time. Unfortunately, the song doesn’t really change much throughout and keeps up at a pretty steady sound and atmosphere. I wish it did get a bit more powerful as it is a longer tune (around five minutes). Still a nice tune though. Floating is an upbeat song with a bit of a heavier bass background. I quite like the more laid back and carefree vibe of the song and the odd fusion of instruments that come in is an interesting surprise as well. The melody isn’t particularly catchy, but there’s a charm to its unpredictability that is a nice change from some of the other songs. Love Song for You is a cover of a Lee Soo Young song. I’m not as familiar with the original, but the chorus does sound more like a Korean ballad. It’s a nice tune, but I don’t think it’s as powerful as it could be. The music sounds more like the karaoke version due to the instruments used and Jolin’s voice just isn’t as strong as Lee Soo Young’s. Sugar Sugar is a cover of the famous Sugar Sugar song by The Archies (yes, the comic). I like that it tries to update things but bringing a dance beat and some more computerized sounding synths. It’s an interesting twist and I think it is one of the catchier songs on here. The weirdest part though is that there is a rap that was used here that is also featured in Kim Hyun Jung’s Breakup With Her.
Overall: This album was much better than her debut album. There are actually some good, memorable tracks on here and Jolin sounds much stronger. Unfortunately, the album is still weak in some areas. I feel like many of songs just didn’t take things to the next level or the way the music was done was just not as interesting. The covers were mostly weaker than the originals because the changes in music made them feel more like karaoke versions. It is a step up, but it could be better.