WISH is the second album released by Ito Yuna. It wasn’t as big of a success as her debut as it only sold 103,000 copies. There were four singles released prior to the album with three being top 10 hits.
Released: February 20, 2008
1. Power of Love
2. alone again
3. Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~ (あなたがいる限り)
4. Urban Mermaid
7. Unite As One
9. A Long Walk
10. Moon Rabbit
11. I’m Here
13. Tokyo Days
14. MY HEART WILL GO ON (Bonus Track)
Beginning the album on an upbeat note, Power of Love has a bit of a 90’s vibe going for it. The start of the song builds everything up to be a powerful tune. While it does have some energy, the chorus just falls flat. It transitions to a brighter pop sound, which is a weird contrast to the edgier verses and I don’t like it. I think this would have been better as two separate songs, but together the song is just disjointed.
Luckily alone again comes crawling in. Ito does best with ballads and this is another example of a stunning song. I do find the verses to be a bit dull, but it’s that chorus that really takes things to the next level. The opening chorus hook is just gorgeous and Ito sounds absolutely gorgeous singing this. Here sweeter tone definitely fits this song more than the power ballads she usually goes for. This is the best song on the album.
Anata ga Iru Kagiri ~A WORLD TO BELIEVE IN~ is actually a duet with Celine Dion and brings a blend of English and Japanese. This totally sounds like the type of song Celine would do as it is a soaring power ballad. Both singers do well, although Celine does take the lead in the chorus. It’s a very inspiring song, although I do feel the verses are a bit dull. No surprise it was the album’s final single though.
Urban Mermaid was the album’s third single and is my least favourite of the singles. It has grown on me a bit, but it is still a weird pop song. The verses do a good job building things up, but then the explosive chorus comes in and it just sort of ruins everything. The transition is odd and the melody isn’t particularly catchy either. A bit disappointing.
HEARTBEAT has a bit of a jazzier vibe to it, which is a nice change from the last song. It actually reminds me of something from the early/mid-00’s in J-Pop, but just doesn’t quite hit the mark as well. The chorus isn’t as strong as I want it to be. The melody just floats on top but it isn’t that catchy. I think it could have been tweaked to be stronger as I do enjoy the music.
Colorful is a bit cheesy, but it’s a decent pop song. I do feel like the transition between the verses and chorus are much smoother here than in other songs, which is a nice change. It’s not particularly catchy, but it does have its charm. Ito also sounds really nice and her voice suits this kind of song really well. I am surprised they added this B-side to the album though.
Unite As One is a long ballad, almost clocking in at seven minutes long. I do like it when Ito does ballads, but there is something about this one that just drags on and on. The verses take forever to get through. The chorus is nice, but this would have been much better if it was cut down another two minutes.
Luckily, Mahaloha comes strolling in. This is easily one of the best songs on the album and was released as the album’s second single. It has a relaxing, summery vibe to it that shows a more restrained vocal performance from Ito. The song is also a duet with Micro from Def Tech. Both of their voices fit nicely with the tune and it’s a fun kind of song to sing along to.
A Long Walk is an upbeat pop tune with a more electronic take on things. The song also has some Spanish elements to it that helps it stand out. I quite like the music to this song and the melody itself isn’t too bad either. It’s drawn out and beautiful and I love the way that Ito sings this. It’s a surprisingly strong song and one of the better album tracks.
Moon Rabbit is a nice fusion of dance and Spanish sounds. It reminds me of something that Nakashima Mika would have done with its upbeat, but flushed out arrangement. The chorus is also surprisingly catchy and while the lyrics are a bit odd, everything still flows pretty well. It’s a great song.
I’m Here was the album’s first single and is definitely the most aggressive song on here as it has a fast-paced beat and striking synths. I do like how catchy the chorus is, but I do feel like Ito’s voice doesn’t quite hit the spot as her sweeter and airier tone can’t bring in the right amount of power that the song needs. It’s still a decent tune though and one of the album’s catchier songs.
The title track, Wish, is a nice pop ballad that is easily one of the album’s best tracks. While it is a bit long, it isn’t as drawn out and the verses don’t pull the song down. It reminds me of her other song, Precious as it gradually builds in power as the song goes on. The melody is gorgeous and while the music is a bit expected, everything works together so nicely.
I don’t know what is up with Tokyo Days though. It is an upbeat, bright pop tune but it has some 90’s J-Pop vibes with it due to the use of background vocals. It reminds me of Komuro Tetsuya’s music, which was popular in the 90’s. Unfortunately, I just don’t think this song does well as it attempts to bring that oldschool sound with contemporary music, but doesn’t blend them well enough.
MY HEART WILL GO ON was originally released on a tribute album for Celine Dion. Ito does a good job singing this classic tune. I do think she does strain a bit on the higher parts, but she is able to hold her ground throughout. The song does add a more contemporary twist to things, but it still keeps the original sound in tact. A nice ending.
Overall: I do find this album to be a bit better than her debut. While there are some duds like her first album, I do find the album tracks to be stronger on here. The singles weren’t as good, but they didn’t detract too much from the album. Surprisingly, the second half of the album was stronger than the first half for me as the songs had stronger melodies and more interesting arrangements. This was a solid album though.